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7. 多愁善感的航行。2.顺便说一句。1799.（从397/743开始，之前的限制/SP:500/700）-劳伦斯·斯特恩 高清作品[94%]

Voyage sentimental. 2 Bde. 1799. (aus <em>397</em>/743, vorh. Limit/SP: 500/ 700)

材质 :

图片文件尺寸 : 5932 x 5226 px

Laurence Sterne-Voyage sentimental. 2 Bde. 1799. (aus 397/743, vorh. Limit/SP: 500/ 700)

劳伦斯·斯特恩-多愁善感的航行。2.顺便说一句。1799.（从397/743开始，之前的限制/SP:500/700）

下载多愁善感的航行。2.顺便说一句。1799.（从397/743开始，之前的限制/SP:500/700）-劳伦斯·斯特恩大图

10. 弗列斯维克，古森范。1626年至1689年。 延续矿物内阁或哲学家的黄金儿子。阿姆斯特丹：作者约翰·简森·范·瓦斯贝格，1675年。 高清作品[35%]

Vervolg van\'t Cabinet der Mineralen of de Goude Son der Philosophen. Amsterdam: Johann Jansson van Waesberge for the author, 1675.

图片文件尺寸 : 4867 x 4504px

VREESWYK, GOOSSEN VAN. 1626-c.1689.:Vervolg van\'t Cabinet der Mineralen of de Goude Son der Philosophen. Amsterdam: Johann Jansson van Waesberge for the author, 1675.
12mo (140 x 80 mm). Additional engraved vignette title, 17 engravings in text. Modern red morocco. Minor soiling at margins, somewhat closely trimmed at top edge.

EXCEEDINGLY RARE ALCHEMICAL WORK FROM VREESWYK, DUTCH MASTER OF THE MINES, including 17 interesting alchemical engravings. Duveen 397; Hoover Collection 849.

弗列斯维克，古森范。1626年至1689年。 延续矿物内阁或哲学家的黄金儿子。阿姆斯特丹：作者约翰·简森·范·瓦斯贝格，1675年。

下载弗列斯维克，古森范。1626年至1689年。 延续矿物内阁或哲学家的黄金儿子。阿姆斯特丹：作者约翰·简森·范·瓦斯贝格，1675年。大图

11. Wifredo Lam。 高清作品[24%]

DO-Wifredo Lam - Moderne
图片文件像素：4755 x 3973 px

Wifredo Lam。-

Wifredo Lam * - Moderne-

(Kuba 1902–1982 Paris)
Ohne Titel, 1973, signiert, rückseitig signiert, Öl auf Leinwand, 25,3 x 34,3 cm, gerahmt

Das Werk ist im Wifredo-Lam-Archiv unter der Nr 73.32 registriert.

Provenienz:
Galerie Daniel Lelong, Paris
Galleria d’Arte Maggiore, Bologna
Europäische Privatsammlung
Dort vom heutigen Besitzer erworben

Literatur:
L. L. Lam, E. Lam, Wifredo Lam. Catalogue Raisonné of the Painted Work, Bd. II 1961–1982, Acatos 2002, S. 397, Nr. 73.32 mit Abb.

Ab den 1950er Jahren führte Lam ein zunehmend kosmopolitisches Leben: Paris, New York, Caracas, Zürich und Albissola in Italien gehörten zu den Orten, an denen er lebte. (....) Sein Kosmopolitismus, der ab den 1940er Jahren von internationalen Einzelausstellungen in der Karibik, Lateinamerika, den USA und Europa begleitet wurde, machte Kuba fast zu einem Nebenschauplatz seiner Biografie. Doch Lam verlor nie den Kontakt zu seiner Insel, schon gar nicht nach der kubanischen Revolution von 1959, die für viele Künstler und Intellektuelle die Hoffnung auf ein neues Kräfteverhältnis nährte, das schließlich zu mehr Gleichheit und sozialer Gerechtigkeit nicht nur in Kuba, sondern auf dem gesamten lateinamerikanischen Kontinent führen würde. Aufgrund dieser Hoffnungen blieb Lam der kubanischen Revolution sein Leben lang treu. (...)

Lams kollaborative Projekte ab den 1960er Jahren zeigen auch sein fortwährendes Engagement für die transkulturellen Erinnerungen an das, was er einmal das „Drama seines Landes“ nannte: den transatlantischen Sklavenhandel. Lam wendet sich jedoch der Hybridität als Mittel des Widerstands zu. Die Transversalität seiner synkretistischen Kunst kann somit als Rebellion gegen eine Weltanschauung verstanden werden, mit der die europäischen Kolonialmächte den nicht-westlichen Kulturen eine monolithische christliche Weltsicht aufzwangen. Die Methode des Surrealismus, die Macht des Unbewussten und der Träume zu befreien, untermauert Lams globale Botschaft an die unterdrückten Völker, die Freiheit ihres Geistes zurückzuerobern und alle Akteure der (post-)kolonialen Ausbeutung so weit wie möglich zu stören.

Bildcredit:
Wifredo Lam, ca. 1948, © Michel Sima / Bridgeman Images, Bildrecht, Wien, 2022

下载Wifredo Lam。大图

12. 多斯托耶夫斯基的名片上写着亚历山大·赫尔岑。 照片署名并题写（俄语）给亚历山大·赫尔岑， 高清作品[11%]

Photograph signed and inscribed [in Russian] to Alexander Herzen,

图片文件尺寸 : 3981 x 5780px

DOSTOEVSKY CARTE-DE-VISITE INSCRIBED TO ALEXANDER HERZEN.:DOSTOEVSKY, FYODOR. 1821-1881. Photograph signed and inscribed [in Russian] to Alexander Herzen, albumen print carte-de-visite full length portrait by M.B. Tulinov, Petersburg, 1861, 105 x 65 mm, inscribed by Dostoevsky in Russian to the verso, \"Alexander Ivanovich Herzen in memory of our meeting in London. Fyodor Dostoyevsky 8 July/20 July 1862,\" minor stain to verso.
Provenance: Alexander Ivanovich Herzen; to daughter Olga Aleksandrovna [Herzen] Monod; by descent.
Publication: For a discussion of the photograph, see Volgin, Igor. \"Introduction\" to The Dostoevsky Archive (1997), p 21.

Pull quote: \"Herzen awaits his readers in the future. Far above the heads of the present crowd, he transmits his thoughts to those who will be able to comprehend them.\" – Leo Tolstoy, 1905.

VERY RARE CARTE DE VISITE PHOTOGRAPH OF FYODOR DOSTOEVSKY PRESENTED TO ALEXANDER HERZEN IN REMEMBRANCE OF THEIR 1862 MEETING IN LONDON: A TREMENDOUSLY IMPORTANT ASSOCIATION BETWEEN TWO OF THE LEADING INTELLECTUALS OF THE 19TH-CENTURY.

Alexander Herzen was one of the most important and influential Russian writers and thinkers of the 19th-century. called the \"father of Russian socialism,\" he had a profound influence on late-19th century Russian writers, including Fyodor Dostoevsky. Born illegitimately to a wealthy Russian landowner, Herzen became a dissident and critic of the Russian feudal system. Of Herzen, Tolstoy said he had never met a man \"with so rare a combination of scintillating brilliance and depth.\" His writings, including From the Other Shore (1848) and those appearing in his influential publications of the 1850s-60s The Bell and the Polestar, would help mold a generation of Russian writing and thought.

Herzen and Dostoevsky met for the first time in Russia in 1846, following Dostoevsky\'s comment in a letter to his brother that Herzen and Goncharov stand as \"the most remarkable\" of his rivals; Herzen\'s recollection of the meeting was less than effusive, however: \"I can\'t say he made a particularly present impression.\" Their second meeting occurred when Dostoevsky visited Herzen in London in July of 1862, of which this photograph is a memento. During the 1850s and early 1860s, visits to the emigree Herzen by Russian writers and intellectuals were something of a right of passage, and Dostoevsky\'s visit followed right on the heels of Turgenev. This series of meetings profoundly affected Dostoevsky and his work, and is clearly acknowledged in his Winter Notes which he wrote later that year, exhibiting a clear debt to Herzen\'s own writings. Dostoevsky, along with Solzhenitsyn, acknowledged the formative influence of Herzen on his work, and Herzen would also appear in composite in a number of Dostoevsky\'s characters throughout his career. Herzen, however, noted, rather condescendingly, \"Dostoevsky was here yesterday—he is a naïve, not entirely lucid, but a very dear person. He believes enthusiastically in the Russian people.\"

The two towering figures would meet again on a steamship from Naples to Livorno the following year, where Dostoevsky was travelling with his mistress Polina Suslova. According to Suslova\'s diaries (as published in The Dostoevsky Archives), Dostoevsky took pains to hide their relationship from Herzen, introducing her vaguely as a family member, and even encouraged her to arrange a visit with Herzen\'s son in Paris that Winter. After they parted, Dostoevsky became angry with her over a photograph of her he had seen at Herzen\'s, which she had given at an earlier date. In 1865, Dostoevsky wrote to Herzen imploring him for a loan, and became peevish when Herzen did not immediately respond. By the late 1860s Dostoevsky would disparage Herzen, somewhat unfairly, as a \"Westernizer,\" leading to his more severe criticism of Herzen in his Writer\'s Diary.

Herzen was one of the most complex and brilliant figures of the 19th-century, and was largely responsible for assimilating western ideas into Russian thought, while still maintaining his advocacy for the freedom of the Russian serf.

In reality, the two writers/thinkers shared a great deal in their outlook: both asserted the importance of the individual, and the folly of the search for a unified teleological system, cutting against the grain of their mid-19th century contemporaries. While Herzen was embraced by Lenin, identified as the \"father of Russian socialism,\" Herzen\'s socialism was a different breed, \"Centralization may do a great deal for order and for various public undertakings, but it is incompatible with freedom. It easily brings a nation to the position of a well-tended flock or a pack of hounds cleverly kept in order by a huntsman.\" Lenin regarded Herzen\'s focus on freedom as a shortcoming of his bourgeois roots. During the 20th-century Russian-British philosopher Isaiah Berlin came across Herzen\'s writings and recognized the prescience of Herzen\'s thought. It was Berlin, who reestablished Herzen\'s influence, agreeing with and amplifying his idea that the pursuit of \"a perfect society\" invariably leads to blood.

The present photograph was taken by Mikhail Borisovich Tulinov (1823–1889) in Petersburg in 1861. Any period photograph of Dostoevsky is rare, and moreso inscribed. We trace two inscribed photographs at auction in the last 40 years. However, we find no record of an inscribed photograph of similar substance and importance in the historical record. An incredible, and incredibly rare, Dostoevsky item tying together two of the greatest thinkers and writers of the 19th-century.

REFERENCES:
Kelly, Aileen. The Discovery of Chance: The Life and Thought of Alexander Herzen. 2016.
Kelly, Aileen. \"Irony and Utopia in Herzen and Dostoevsky: From the Other Shore and Diary of a Writer.\" The Russian Review, 50:4 (1991), pp 397-416.
Lantz, Kenneth. The Dostoevsky Encycolpedia. 2004.
Serakin, Peter. The Dostoevsky Archive: Firsthand Accounts of the Novelist from Contemporaries\' Memoirs and Rare Periodicals. 1997.


\"If only people wanted to save themselves instead of saving the world, how much they would do for the salvation of the world and the liberation of humanity!\" – Alexander Herzen, From the Other Shore, 1848.

多斯托耶夫斯基的名片上写着亚历山大·赫尔岑。 照片署名并题写（俄语）给亚历山大·赫尔岑，

下载多斯托耶夫斯基的名片上写着亚历山大·赫尔岑。 照片署名并题写（俄语）给亚历山大·赫尔岑，大图

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